Robot Opera (2015), is a robotic opera for eight semi-autonomous robot performers. The work has been realised by Wade Marynowsky (robotic artist) in collaboration with Julian Knowles (music/sound) and Branch Nebula (lighting, dramaturgy). Informed by the underlying fields of creative robotics, mediatised performance, music, and interactive media art, the project merges artist driven algorithmic / choreographic concepts with audience driven agency within a large scale performance interaction space 42 x 25m. The project brings together core areas of investigation within these disciplines by establishing a performative context to explore the concept of robotic performance agency.
The project fast forwards the Wagnerian concept of (Gesamtkunstwerk) ‘The Total Art Work’ (1895) into the present, through combinations of movement, sound, light and interaction. Whilst futuristic, Robot Opera draws on a multitude of historic reference points, visually the work embraces minimalist sculpture and the machine aesthetic. Julian Knowles’ musical score interrogates the notion of opera with reference to the history of science fiction film soundtrack, the sonic language of robots in popular culture and the aesthetics of digital sound. Whilst in the context of performance art we acknowledge the tradition of breaking the fourth wall: Alan Kaprow; La Fura Del Baus etc. Importantly, the work also draws on the traditions of electronic music, sound art, media art and performance art cultures experienced personally from the 1990’s.
Robot Opera seeks to rethink what opera and performance is, or can be. By placing non-anthropomorphic robots in place of human performers we question, at what stage or within which contexts can a robot be perceived to ‘perform’ convincing agency?